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	<id>https://theosophy.wiki/w-en/index.php?action=history&amp;feed=atom&amp;title=Maurice_Maeterlinck</id>
	<title>Maurice Maeterlinck - Revision history</title>
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	<updated>2026-06-18T19:06:45Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=55016&amp;oldid=prev</id>
		<title>SysopJ at 20:46, 6 January 2025</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=55016&amp;oldid=prev"/>
		<updated>2025-01-06T20:46:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:46, 6 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Maeterlinck.jpg|right|200px|thumb|Maurice Maeterlinck]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the &amp;#039;&amp;#039;&amp;#039;Nobel Prize in Literature&amp;#039;&amp;#039;&amp;#039; in 1911. His plays form an important part of the &amp;#039;&amp;#039;&amp;#039;Symbolist art movement&amp;#039;&amp;#039;&amp;#039;, which was influenced by [[Theosophy]]. Among his favorite themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the &amp;#039;&amp;#039;&amp;#039;Nobel Prize in Literature&amp;#039;&amp;#039;&amp;#039; in 1911. His plays form an important part of the &amp;#039;&amp;#039;&amp;#039;Symbolist art movement&amp;#039;&amp;#039;&amp;#039;, which was influenced by [[Theosophy]]. Among his favorite themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SysopJ</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=34611&amp;oldid=prev</id>
		<title>Janet Kerschner at 15:21, 6 October 2017</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=34611&amp;oldid=prev"/>
		<updated>2017-10-06T15:21:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:21, 6 October 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In books such as &amp;#039;&amp;#039;Our Eternity&amp;#039;&amp;#039; (1909) and &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039; (1922), Maeterlinck examines the Theosophical view on different subjects. The following are some excerpts from &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In books such as &amp;#039;&amp;#039;Our Eternity&amp;#039;&amp;#039; (1909) and &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039; (1922), Maeterlinck examines the Theosophical view on different subjects. The following are some excerpts from &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 200.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Richard Hodgson|&lt;/ins&gt;Dr. Hodgson&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 200.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;[[Isis Unveiled (book)|&amp;quot;Isis Unveiled,&amp;quot;]] [[The Secret Doctrine (book)|&amp;quot;The Secret Doctrine,&amp;quot;]] and the rest of Madame Blavatsky&amp;#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&amp;#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 200-201.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;[[Isis Unveiled (book)|&amp;quot;Isis Unveiled,&amp;quot;]] [[The Secret Doctrine (book)|&amp;quot;The Secret Doctrine,&amp;quot;]] and the rest of Madame Blavatsky&amp;#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&amp;#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 200-201.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Janet Kerschner</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=34610&amp;oldid=prev</id>
		<title>Janet Kerschner at 15:19, 6 October 2017</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=34610&amp;oldid=prev"/>
		<updated>2017-10-06T15:19:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:19, 6 October 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist art movement, which was influenced by [[Theosophy]]. Among his &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;favourite &lt;/del&gt;themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;Nobel Prize in Literature&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;in 1911. His plays form an important part of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;Symbolist art movement&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;, which was influenced by [[Theosophy]]. Among his &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;favorite &lt;/ins&gt;themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theosophical influence ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theosophical influence ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot;&gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Maeterlinck, Maurice]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Maeterlinck, Maurice]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets|Maeterlinck, Maurice]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets|Maeterlinck, Maurice]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:People|Maeterlinck, Maurice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Janet Kerschner</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=30972&amp;oldid=prev</id>
		<title>Janet Kerschner: /* Theosophical influence */</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=30972&amp;oldid=prev"/>
		<updated>2016-11-01T17:53:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Theosophical influence&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:53, 1 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 200.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 200.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&quot;Isis Unveiled,&quot; &quot;The Secret Doctrine,&quot; and the rest of Madame &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Blavatzky&lt;/del&gt;&#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 200-201.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Isis Unveiled (book)|&lt;/ins&gt;&quot;Isis Unveiled,&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] [[The Secret Doctrine (book)|&lt;/ins&gt;&quot;The Secret Doctrine,&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and the rest of Madame &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Blavatsky&lt;/ins&gt;&#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 200-201.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&amp;quot;The Secret Doctrine&amp;quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day. In any case, the work would prove once again, if proof were needed, and with unexampled lucidity, the common origin of the conceptions which were formed by the human race, long before history as we know it, of the great mysteries which encompassed it.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 2003-204.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&amp;quot;The Secret Doctrine&amp;quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day. In any case, the work would prove once again, if proof were needed, and with unexampled lucidity, the common origin of the conceptions which were formed by the human race, long before history as we know it, of the great mysteries which encompassed it.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;, (New York: The Century Co., 1922), 2003-204.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Janet Kerschner</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26749&amp;oldid=prev</id>
		<title>Janet Kerschner at 12:59, 3 September 2015</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26749&amp;oldid=prev"/>
		<updated>2015-09-03T12:59:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:59, 3 September 2015&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist art movement, which was influenced by [[Theosophy]]. Among his favourite themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist art movement, which was influenced by [[Theosophy]]. Among his favourite themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Janet Kerschner</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26748&amp;oldid=prev</id>
		<title>Pablo Sender at 19:47, 16 September 2014</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26748&amp;oldid=prev"/>
		<updated>2014-09-16T19:47:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:47, 16 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[ARTICLE UNDER CONSTRUCTION]&#039;&#039;&#039; &amp;lt;BR&amp;gt;&lt;/del&gt;&#039;&#039;&#039;[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ARTICLE UNDER CONSTRUCTION&lt;/del&gt;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Template:Article needs expansion}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Maurice Polydore Marie Bernard Maeterlinck&lt;/ins&gt;&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist art movement, which was influenced by [[Theosophy]]. Among his favourite themes were those of [[death]] and the meaning of life, [&lt;/ins&gt;[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;occultism]&lt;/ins&gt;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, ethics and natural history.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard &lt;/del&gt;Maeterlinck&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist art movement, which was influenced by [[Theosophy]]. Among his favourite themes were those of [[death]] and the meaning of life, [[occultism]], ethics and natural history. He &lt;/del&gt;was familiar with the writings of [[Helena Petrovna Blavatsky|H. P. Blavatsky]] and later [[Theosophist]]s and valued the explanations offered. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Theosophical influence ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Maeterlinck was familiar with the writings of [[Helena Petrovna Blavatsky|H. P. Blavatsky]] and later [[Theosophist]]s and valued the explanations offered. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In books such &lt;/del&gt;as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Our Eternity&#039;&#039; (1909) and &#039;&#039;&lt;/del&gt;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Great Secret&#039;&#039; (1922) he examines &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theosophical view on different subjects&lt;/del&gt;. The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;following are some excerpts &lt;/del&gt;from &#039;&#039;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Great Secret&lt;/del&gt;&#039;&#039;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to scholar Michael Ballin, Maeterlinck considers the following Theosophical elements &lt;/ins&gt;as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of outstanding interest to modern man: &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rediscovery of Egyptian sources.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A sense of &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Religion#Wisdom-Religion|common unity of religions]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;concept of an [[Atlantis|Atlantean]] past &lt;/ins&gt;from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;which Man has declined. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He also emphasized the idea that [[God]] can be found within oneself, and the correlation between [[Macrocosm and Microcosm|the macrocosm and the microcosm]].&amp;lt;ref&amp;gt;Jane Campbell and James Doyle (eds.), &lt;/ins&gt;&#039;&#039;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Practical Vision: Essays in English Literature in Honour of Flora Roy&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Waterloo, Ontario&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wilfrid Laurier University Press, 1978), 89.&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After considering the documentary evidence&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;victim of trickery more diabolical than that which he believed himself to have unmasked&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In books such as &#039;&#039;Our Eternity&#039;&#039; (1909) and &#039;&#039;The Great Secret&#039;&#039; (1922)&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Maeterlinck examines &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theosophical view on different subjects&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The following are some excerpts from &#039;&#039;The Great Secret&#039;&#039;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Isis Unveiled,&quot; &quot;The Secret Doctrine,&quot; and &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rest of Madame Blavatzky&#039;s very numerous works form a stupendous and ill-balanced monument&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or rather a sort of colossal builder&#039;s yard, into which &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;highest wisdom, &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;widest and most exceptional scholarship, the most dubious odds and ends &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;science&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;legend and history&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;if we intend to be impartial&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that we also find there speculations which must rank with the most impressive ever conceived&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;blockquote&amp;gt;After considering &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;documentary evidence&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;I must admit that it is after all quite possible that &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;highly respectable Dr. Hodgson may himself have been &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;victim &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;trickery more diabolical than that which he believed himself to have unmasked.&amp;lt;ref&amp;gt;Maurice Maeterlinck&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;The Great Secret&#039;&#039;&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(New York: The Century Co&lt;/ins&gt;., &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1922)&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;200&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;The Secret Doctrine&quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day. In any case, the work would prove once again, if proof were needed, and  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;blockquote&amp;gt;&quot;Isis Unveiled,&quot; &quot;The Secret Doctrine,&quot; and the rest of Madame Blavatzky&#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 200-201.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;with unexampled lucidity, the common origin of the conceptions which were formed by the human race, long before history as we know it, of the great mysteries which encompassed it.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;blockquote&amp;gt;&lt;/ins&gt;&quot;The Secret Doctrine&quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day. In any case, the work would prove once again, if proof were needed, and with unexampled lucidity, the common origin of the conceptions which were formed by the human race, long before history as we know it, of the great mysteries which encompassed it.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Maurice Maeterlinck, &#039;&#039;The Great Secret&#039;&#039;, (New York: The Century Co., 1922), 2003-204.&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Notes ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Famous people|Maeterlinck, Maurice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Nationality Belgian|Maeterlinck, Maurice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Writers|Maeterlinck, Maurice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Poets|Maeterlinck, Maurice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pablo Sender</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26747&amp;oldid=prev</id>
		<title>Pablo Sender at 20:45, 12 September 2014</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26747&amp;oldid=prev"/>
		<updated>2014-09-12T20:45:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:45, 12 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.The main themes in his work are death and the meaning of life&lt;/del&gt;. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;showed and interest in [[Theosophy]] and &lt;/del&gt;was familiar with the writings of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mme&lt;/del&gt;. Blavatsky and later &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theosophists &lt;/del&gt;and valued the explanations. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911. His plays form an important part of the Symbolist &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;art &lt;/ins&gt;movement&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, which was influenced by [[Theosophy]]&lt;/ins&gt;. Among his favourite themes were those of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[death]] and the meaning of life, [[&lt;/ins&gt;occultism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, ethics and natural history. He was familiar with the writings of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Helena Petrovna Blavatsky|H. P&lt;/ins&gt;. Blavatsky&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and later &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Theosophist]]s &lt;/ins&gt;and valued the explanations &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;offered&lt;/ins&gt;. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In books such as &amp;#039;&amp;#039;Our Eternity&amp;#039;&amp;#039; (1909) and &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039; (1922) he examines the Theosophical view on different subjects. The following are some excerpts from &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In books such as &amp;#039;&amp;#039;Our Eternity&amp;#039;&amp;#039; (1909) and &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039; (1922) he examines the Theosophical view on different subjects. The following are some excerpts from &amp;#039;&amp;#039;The Great Secret&amp;#039;&amp;#039;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pablo Sender</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26746&amp;oldid=prev</id>
		<title>Pablo Sender at 21:55, 11 September 2014</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26746&amp;oldid=prev"/>
		<updated>2014-09-11T21:55:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:55, 11 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911.The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He showed and interest in [[Theosophy]] and was familiar with the writings of Mme. Blavatsky and later Theosophists and valued the explanations. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&amp;#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911.The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He showed and interest in [[Theosophy]] and was familiar with the writings of Mme. Blavatsky and later Theosophists and valued the explanations. However, he regretted that many important statements were not presented according to more scholarly standards and that clairvoyant&amp;#039;s claims were beyond the possibility of proof.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his &lt;/del&gt;books &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he would frequently examine the Theosophical view on the subject. For example, in &lt;/del&gt;&#039;&#039;The Great &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sectret&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;there is a section dedicated to Theosophy&lt;/del&gt;. The following are some excerpts from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it&lt;/del&gt;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In books &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;such as &#039;&#039;Our Eternity&#039;&#039; (1909) and &lt;/ins&gt;&#039;&#039;The Great &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Secret&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1922) he examines the Theosophical view on different subjects&lt;/ins&gt;. The following are some excerpts from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;The Great Secret&#039;&#039;&lt;/ins&gt;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pablo Sender</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26745&amp;oldid=prev</id>
		<title>Pablo Sender at 21:47, 11 September 2014</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26745&amp;oldid=prev"/>
		<updated>2014-09-11T21:47:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:47, 11 September 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911.The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He showed and interest in [[Theosophy]] and was familiar with the writings of Mme. Blavatsky, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;although &lt;/del&gt;regretted that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;statements were not presented &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;under &lt;/del&gt;more scholarly standards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911.The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He showed and interest in [[Theosophy]] and was familiar with the writings of Mme. Blavatsky &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and later Theosophists and valued the explanations. However&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he &lt;/ins&gt;regretted that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;many important &lt;/ins&gt;statements were not presented &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;according to &lt;/ins&gt;more scholarly standards &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and that clairvoyant&#039;s claims were beyond the possibility of proof&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In his books he would frequently examine the Theosophical view on the subject. For example, in &#039;&#039;The Great Sectret&#039;&#039; there is a section dedicated to Theosophy. The following are some excerpts from it:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Isis Unveiled,&amp;quot; &amp;quot;The Secret Doctrine,&amp;quot; and the rest of Madame Blavatzky&amp;#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&amp;#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Isis Unveiled,&amp;quot; &amp;quot;The Secret Doctrine,&amp;quot; and the rest of Madame Blavatzky&amp;#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&amp;#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;The Secret Doctrine&quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;The Secret Doctrine&quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. In any case, the work would prove once again, if proof were needed, and &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;with unexampled lucidity, the common origin of the conceptions which were formed by the human race, long before history as we know it, of the great mysteries which encompassed it&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pablo Sender</name></author>
	</entry>
	<entry>
		<id>https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26744&amp;oldid=prev</id>
		<title>Pablo Sender: Created page with &quot;&#039;&#039;&#039;[ARTICLE UNDER CONSTRUCTION]&#039;&#039;&#039; &lt;BR&gt;&#039;&#039;&#039;[ARTICLE UNDER CONSTRUCTION]&#039;&#039;&#039;  &#039;&#039;&#039;Maurice Polydore Marie Bernard Maeterlinck&#039;&#039;&#039; (August 29, 1862 – May 6, 1949) was a Bel...&quot;</title>
		<link rel="alternate" type="text/html" href="https://theosophy.wiki/w-en/index.php?title=Maurice_Maeterlinck&amp;diff=26744&amp;oldid=prev"/>
		<updated>2014-09-11T20:00:23Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;  &amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; (&lt;a href=&quot;/en/August_29&quot; title=&quot;August 29&quot;&gt;August 29&lt;/a&gt;, 1862 – &lt;a href=&quot;/en/May_6&quot; title=&quot;May 6&quot;&gt;May 6&lt;/a&gt;, 1949) was a Bel...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039; &amp;lt;BR&amp;gt;&amp;#039;&amp;#039;&amp;#039;[ARTICLE UNDER CONSTRUCTION]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Maurice Polydore Marie Bernard Maeterlinck&amp;#039;&amp;#039;&amp;#039; ([[August 29]], 1862 – [[May 6]], 1949) was a Belgian playwright, poet, and essayist who was a Fleming, but wrote in French. He was awarded the Nobel Prize in Literature in 1911.The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement. Among his favourite themes were those of occultism, ethics and natural history. He showed and interest in [[Theosophy]] and was familiar with the writings of Mme. Blavatsky, although regretted that the statements were not presented under more scholarly standards.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
After considering the documentary evidence, I must admit that it is after all quite possible that the highly respectable Dr. Hodgson may himself have been the victim of trickery more diabolical than that which he believed himself to have unmasked.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Isis Unveiled,&amp;quot; &amp;quot;The Secret Doctrine,&amp;quot; and the rest of Madame Blavatzky&amp;#039;s very numerous works form a stupendous and ill-balanced monument, or rather a sort of colossal builder&amp;#039;s yard, into which the highest wisdom, the widest and most exceptional scholarship, the most dubious odds and ends of science, legend and history, the most impressive and most unfounded hypotheses, the most precise and most improbable statements of fact, the most plausible and most chimerical ideas, the noblest dreams, and the most incoherent fancies are poured pell-mell by inexhaustible truck-loads. There is in this accumulation of materials a considerable amount of waste and fantastic assertions which one rejects a priori; but it must be admitted, if we intend to be impartial, that we also find there speculations which must rank with the most impressive ever conceived.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Secret Doctrine&amp;quot; is a sort of stupendous encyclopedia of esoteric knowledge, above all as regards its appendices, its commentaries, its parerga, in which we shall find a host of ingenious and interesting comparisons between the teachings and the manifestations of occultism throughout the centuries and in different countries. Sometimes there flashes from it an unexpected light whose far-spreading rays illuminate regions of thought which are rarely frequented to-day.&lt;/div&gt;</summary>
		<author><name>Pablo Sender</name></author>
	</entry>
</feed>