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Paul Jackson Pollock was born on [[January 28]], 1912 in Cody, Wyoming. LeRoy Pollock and Stella May McClure were his parents, and he was the youngest of five children.
Paul Jackson Pollock was born on [[January 28]], 1912 in Cody, Wyoming. LeRoy Pollock and Stella May McClure were his parents, and he was the youngest of five children.


== Theosophical Society connections ==
== Theosophical influences in his art ==
Pollock became acquainted with [[Theosophy]] as a teenager:
Pollock became acquainted with [[Theosophy]] as a teenager:
<blockquote>
<blockquote>
  In 1928 they moved to Los Angeles, where Pollock enrolled at Manual Arts High School. There he came under the influence of Frederick John de St. Vrain Schwankovsky, a painter and illustrator who was also a member of the Theosophical Society that promoted metaphysical and occult spirituality. Schwankovsky gave Pollock some rudimentary training in drawing and painting, introduced him to advanced currents of European modern art, and encouraged his interest in theosophicalliterature. At this time Pollock, who had been raised an agnostic, also attended the camp meetings of of the theosophist Jiddu Krishnamurti, a personal friend of Schwankovsky. These spiritual explorations prepared him to embrace the theories of the Swiss psychologist Carl Jung and the exploration of unconscious imagery in his paintings in subsequent years.<ref>Francis Valentine O’Connor. [https://theosophyart.org/2018/03/09/jackson-pollock/ Jackson Pollock] as blog post in Theosophy & Arts. Posted March 9, 2018.</ref>
  In 1928 they moved to Los Angeles, where Pollock enrolled at Manual Arts High School. There he came under the influence of Frederick John de St. Vrain Schwankovsky, a painter and illustrator who was also a member of the [[Theosophical Society (Adyar)|Theosophical Society]] that promoted metaphysical and occult spirituality. Schwankovsky gave Pollock some rudimentary training in drawing and painting, introduced him to advanced currents of European modern art, and encouraged his interest in theosophical literature. At this time Pollock, who had been raised an agnostic, also attended the camp meetings of of the theosophist [[Jiddu Krishnamurti]], a personal friend of Schwankovsky. These spiritual explorations prepared him to embrace the theories of the Swiss psychologist Carl Jung and the exploration of unconscious imagery in his paintings in subsequent years.<ref>Francis Valentine O’Connor. [https://theosophyart.org/2018/03/09/jackson-pollock/ Jackson Pollock] as blog post in Theosophy & Arts. Posted March 9, 2018.</ref>
</blockquote>
</blockquote>
<blockquote>
As he wrote to Francis V. O’Connor, Schwankovsky “introduced students to the ideas not only of Krishnamurti, who was a personal friend, but also of [[Hinduism]], [[reincarnation]], [[karma]],” and taught them “how to expand their [[Consciousness|consciousnesses]].”
There are no visible allusions to Theosophy or Krishnamurti in the early works of Pollock displayed in Paris [in a 2025 exhibition covering his works from 1934–1947]. However, the “expansion of consciousness” idea probably played a role in making him sensitive to Surrealist automatic writing and Jungian psychology.<ref>Massimo Introvigne,  [https://bitterwinter.org/the-early-pollock-and-the-esoteric-pollock/ The Early Pollock and the Esoteric Pollock] posted on Bitterwinter.org on January 18, 2025.</ref>
</blockquote>
In 1940, Pollock became friends with art collector John D. Graham, whose interests included “Theosophy, hatha yoga, tantric yoga, numerology, systems of proportion derived from Pythagorean and Platonic sources, alchemy, and astrology.”<ref>Massimo Introvigne, [https://bitterwinter.org/the-early-pollock-and-the-esoteric-pollock/ The Early Pollock and the Esoteric Pollock] posted on Bitterwinter.org on January 18, 2025.</ref> He influenced Pollock to study Jungian psychology, and that school of thought was manifest in Pollock's painting ''Male and Female'' (1941–42) depicting the male and female aspects present in all people. Pollock went on to use alchemical, spiritualist, and mythological imagery in his paintings.<ref>Massimo Introvigne, [https://bitterwinter.org/the-early-pollock-and-the-esoteric-pollock/ The Early Pollock and the Esoteric Pollock] posted on Bitterwinter.org on January 18, 2025.</ref>
== Additional resources ==
=== Articles ===
* Introvigne, Massimo. [https://bitterwinter.org/the-early-pollock-and-the-esoteric-pollock/ The Early Pollock and the Esoteric Pollock] posted on Bitterwinter.org on January 18, 2025.
* O’Connor, Francis Valentine. [https://theosophyart.org/2018/03/09/jackson-pollock/ Jackson Pollock] as blog post in Theosophy & Arts. Posted March 9, 2018.


== Notes ==
== Notes ==

Revision as of 20:32, 12 January 2026



Jackson Pollock was an American painter of the abstract expressionist school

Personal life

Paul Jackson Pollock was born on January 28, 1912 in Cody, Wyoming. LeRoy Pollock and Stella May McClure were his parents, and he was the youngest of five children.

Theosophical influences in his art

Pollock became acquainted with Theosophy as a teenager:

In 1928 they moved to Los Angeles, where Pollock enrolled at Manual Arts High School. There he came under the influence of Frederick John de St. Vrain Schwankovsky, a painter and illustrator who was also a member of the Theosophical Society that promoted metaphysical and occult spirituality. Schwankovsky gave Pollock some rudimentary training in drawing and painting, introduced him to advanced currents of European modern art, and encouraged his interest in theosophical literature. At this time Pollock, who had been raised an agnostic, also attended the camp meetings of of the theosophist Jiddu Krishnamurti, a personal friend of Schwankovsky. These spiritual explorations prepared him to embrace the theories of the Swiss psychologist Carl Jung and the exploration of unconscious imagery in his paintings in subsequent years.[1]

As he wrote to Francis V. O’Connor, Schwankovsky “introduced students to the ideas not only of Krishnamurti, who was a personal friend, but also of Hinduism, reincarnation, karma,” and taught them “how to expand their consciousnesses.”

There are no visible allusions to Theosophy or Krishnamurti in the early works of Pollock displayed in Paris [in a 2025 exhibition covering his works from 1934–1947]. However, the “expansion of consciousness” idea probably played a role in making him sensitive to Surrealist automatic writing and Jungian psychology.[2]

In 1940, Pollock became friends with art collector John D. Graham, whose interests included “Theosophy, hatha yoga, tantric yoga, numerology, systems of proportion derived from Pythagorean and Platonic sources, alchemy, and astrology.”[3] He influenced Pollock to study Jungian psychology, and that school of thought was manifest in Pollock's painting Male and Female (1941–42) depicting the male and female aspects present in all people. Pollock went on to use alchemical, spiritualist, and mythological imagery in his paintings.[4]

Additional resources

Articles

Notes

  1. Francis Valentine O’Connor. Jackson Pollock as blog post in Theosophy & Arts. Posted March 9, 2018.
  2. Massimo Introvigne, The Early Pollock and the Esoteric Pollock posted on Bitterwinter.org on January 18, 2025.
  3. Massimo Introvigne, The Early Pollock and the Esoteric Pollock posted on Bitterwinter.org on January 18, 2025.
  4. Massimo Introvigne, The Early Pollock and the Esoteric Pollock posted on Bitterwinter.org on January 18, 2025.